Showing posts with label Andrew Hahn. Show all posts
Showing posts with label Andrew Hahn. Show all posts

Saturday, July 16, 2011

Film Screening | Andrew Hahn video work + House, 1977



Join us for a a night of video and film.

Andrew Hahn screens some of his video work.
Followed by the psychedelic horror film "House".
Monday July 18th, 9pm, back garden WPA.

House (1977)
Hausu (original title)
Director: Nobuhiko Ôbayashi

Oshare (Gorgeous) is excited about spending summer vacation with her father, until she finds out that his beautiful, freakishly serene girlfriend Ryouko would be going as well. Oshare decides she will be going to her aunt's house in the country instead. She brings with her her friends from school - Fanta (who likes to take pictures, and daydreams a lot), KunFuu (who has very good reflexes), Gari/Prof (who is a major nerd), Sweet (who likes to clean), Mac (who eats a lot), and Melody (a musician). However, the girls are unaware that Oshare's aunt is actually dead and the house is actually haunted. When they arrive at the house, crazy events take place and the girls disappear one by one while slowly discovering the secret behind all the madness.

Thursday, June 23, 2011

Thursday, February 18, 2010

Andrew Hahn | Opening


Andrew Hahn | Paintings for Achillia

February 20 - March 21
Opening Reception, February 20, 7-10pm

WPA is pleased to present an exhibition of new paintings and prints by Andrew Hahn. “Paintings for Achillia” features three oil paintings that continue Hahn’s investigation of the female portrait, but here his ghostly cinematic and disembodied faces achieve a grand scale, and the figurative fragmentation of bound feet shows up in two of the paintings. For Hahn, these works are like film stills from a surrealist movie about a female Achilles, a perversion of the Greek myth, that has yet to be made. The paintings’ surface remains relatively flat, though complex with Hahn’s layering techniques of both scraping wet and sanding dry paint, creating filters and blurred lines, and the occasional element of spraypaint, all making the canvases, and the fleshy subject matter, appear attacked.
Like in his earlier series of 50 photorealistic watercolors of crime scenes or his feature-length bio-pic on the Unabomber, these new paintings are about the procedural, assembling clues in a documentary fantasy, privileging fiction over fact. The depths of literature as well as the movement of projected film can be allegorized as a motive for Hahn’s mechanics of painting, wherein he has set up his own classical story of fear and seduction, paranoia and vulnerability.
Also on display is his varicolored collection of ‘Unfinished Girl’ monotypes. In the context of this installation, the artist has referred to these quickly painted and transferred portraits as “a casting call for various Achillias.” The chance blurring and smearing created in the printing process does much of the work in creating the psychological story of his subjects. These prints are installed in the office alongside the same lithographic press from which they were pulled.

Andrew Hahn lives and works in Los Angeles.

Gallery open 12-6pm, Thursday - Sunday or by appointment.