Showing posts with label Opening. Show all posts
Showing posts with label Opening. Show all posts

Saturday, May 5, 2012

Charles Irvin | Graff Mourgue D'Algue



New Directions in Alchemy

10-May/17-Jun-12
Opening 10-May-12, 6 PM
CHARLES IRVIN
Los Angeles-based Irvin deals with inner landscape and scenery constructed from common icons such as pyramids, jesus, aliens or the misfits skull. His education and personal experience impregnated these images into his subconscious. Raised as a Catholic in Fundamentalist Christian North Texas, he developed an affinity for Christian imagery.
In New Directions in Alchemy most of the paintings are haunted by crescent moon figures. Sometimes they are depicted as alien divinities lounging on a pyramid, sometimes they perform scatological rituals in sterile rooms. The ensemble is blue suspended in space, a parallel universe where you'll be enlightened by an infinity fountain and where rock hard vanities emerge through vaginas. We never would have believed these new directions where possible to initiate, but we felt they were there somewhere in our very own alchemy. Irvin's work constantly clashes the subconscious and the conscious.
Charles Irvin's work was included in exhibitions at the Hammer Museum in Los Angeles, White Columns in New York and the Museum of Modern Art in Luxembourg and currently in The Art Of Cooking curated by Hanne Mugass.
7, Bvd. d'Yvoy
CH - 1205 Geneva

Friday, March 16, 2012

Dennis Hollingsworth | Michael Kohn Gallery


Dennis Hollingsworth: Terestrial
March 23 - May 4, 2012

Michael Kohn Gallery is pleased to present an exhibition of new and recent paintings by Los Angeles-based artist, Dennis Hollingsworth. At the heart of Hollingsworth's practice is a rigorous fidelity to the dichotomous nature of painting. Simultaneously materialist and conceptual, abstract and figurative,
textual and painterly, Hollingsworth makes us question the étre of painting in the way Donald Judd did with the object.
Structure plays an integral role in these luxuriously rich, dense works, allowing the painting to take on a sculptural identity. Paint is dropped, both marbled and monochrome, and scraped up with scrapers and drywall knives. Tools are invented in order to achieve intended effects, such as daubers made of balled up knit fabric (which delivers flower-like forms which he then rocks into a bed of paint) or origami-like pincers that he uses to pull the spines off the monads. Spatulas and various knives are used in abundance. Brushes are cut and thinned into specific shapes and rarely does he rely on them as they
are sold in stores.
Re-working the identity of painting, Hollingsworth presents the viewer with an existential conundrum that demands an awareness and a re-shaping of our own process of seeing. First you are asked to confront the sheer physicality of the work, which repositions the painting as a sculptural object and then back again, a never-ending balancing act between two different practices. Slowly the conceptual underpinnings and gestalt effect take hold as forms emerge and disappear, demanding a unique and powerful engagement with the work.
Dennis Hollingsworth received his M.F.A. at the Claremont Graduate School in 1991. He has exhibited widely throughout Europe and the U.S. Recent solo exhibitions include Galerie Pelaires, Palma de Mallorca; Tomio Koyama Gallery, Tokyo; Galerie Miguel Marcos, Barcelona.

8071 BEVERLY BOULEVARD
LOS ANGELES CALIFORNIA 90048
Tel: 323 658 8088 Fax: 323 658 8068
Tuesday to Friday 10 am - 6 pm
Saturday 11 am - 6 pm

Thursday, January 26, 2012

Henry Taylor | MOMA PS1


Henry Taylor
On view January 29, 2012—April 9, 2012

Los Angeles-based artist Henry Taylor (American, b. 1958) applies his brush both to canvas and to unconventional materials—suitcases, crates, cereal boxes, cigarette packs—offering a refreshing, idiosyncratic perspective on culture and politics using everyone and everything around him as source material. While Taylor drew and painted in his youth, he studied art later in life, attending the California Institute of the Arts after working for ten years as a psychiatric technician at a state hospital. In the months preceding the exhibition, the artist will be in residency in one of MoMA PS1's former classrooms, using it as his New York studio to create new work for the exhibition.

MoMA PS1
22-25 Jackson Ave. at the intersection of 46th Ave.
Long Island City, NY 11101
(718) 784-2084
Hours12–6 PM, Thursday through Monday, closed on Tuesdays and Wednesdays.

Monday, January 23, 2012

Tyler Vlahovich | Feature Inc NYC


Tyler Vlahovich: recent work
15 February – 18 March 2012
reception: Sat, 18 Feb, 6–8pm

FEATURE INC.
131 ALLEN ST NY NY 10002
212.675.7772
featureinc@featureinc.com

Friday, November 11, 2011

Michael Minelli | Opening WPA



Michael Minelli | Black Boxes
November 11th - December 4th, 2011
Opening Saturday, November 12, 5 – 7pm

WPA presents Black Boxes, an exhibition of recent work by Michael Minelli. This is Minelli's second solo exhibition at WPA. Minelli has long been interested in the quid pro quo between popular media discourse and the individual subject. In keeping with his previous body of work, where paper microphone stands, thought bubbles and free standing banners acted as avatars of public address, Minelli's recent sculptures further investigate public discourse through forms that conflate guitar amps, camera lenses, gun barrels and flat screen TV's.
Unlike the indomitable black boxes that house a doomed aircraft's final communications, Minelli's Black Boxes are fragile props rendered in cardboard and rolled paper. Instead of a tangible record or explanation, these new works present mediation as a porous architecture whose holes and hollow appendages suggest conduits of open exchange; in effect, offering silence as both an invitation and threat.

Michael Minelli has exhibited his work in the U.S. and in Europe. In January 2010, his commission from The Wexner Center for the Arts entitled "not by everybody" (2006) was exhibited at the Design Museum of Holon in Holon Israel as part of the international exhibition Only Now. He has an upcoming solo exhibition at the CUE Art Foundation, in New York City, in January 2012.

Gallery hours:
Open 12-6pm, Saturday-Sunday or by appointment.

Contact Michael Minelli
michaelminelli.com

Tuesday, October 25, 2011

Pamela Jorden | Klaus von Nichtssagend Gallery



Pamela Jorden | Sun and Moon

October 21- December 4, 2011
Opening Reception: October 21, 6-8pm

Klaus von Nichtssagend Gallery is pleased to present a solo exhibition by Pamela Jorden. The show will consist of recent abstract oil paintings on linen and fabric; opening October 21, and running through December 4. Please join us at the reception for the artist on Friday October 21 from 6 to 8pm.

Pamela Jorden’s paintings are composed of fragments, accumulations of shape, line, texture, and pattern which form varying optical densities. The paintings are influenced by her day-to-day surroundings; she often uses her observations of changing light during the day, the shifting of perspectives as one moves through space, and the dense layered appearance of the Los Angeles landscape stacked and compressed in haze and smog. Jorden’s process is experimental—she lays down initial marks and then responds to them—creating an improvisational surface throughout the work. In each painting the palette is restrained to a handful of colors, while the mark making engages texture, gesture, mass, and scale. At times she uses straight, wide brush strokes contrasted with thinner angular lines and interspersed with washy, less defined areas, to build a rich tapestry.

In her latest body of work she has also varied the materials upon which she paints, and the references from which her compositions emerge, taking cues equally from artists such as Sonia Delaunay and Jasper Johns. One painting features silver paint on a silver fabric ground, while another involves a target made on a circular stretcher. Jorden plays on art historical references but also experiments in her own practice with layering similar properties, whether it is repeating shapes (circles within circles, triangles with triangles) or similar color (silvers on silver, blacks on black). Jorden’s studio practice is one of exploration and invention revealing an inquisitive and restless approach to painting.

Pamela Jorden lives and works in Los Angeles, California. This is her fourth solo show with Klaus von Nichtssagend Gallery. She has been in numerous shows in Los Angeles and New York, and in September had her first solo show in San Francisco at Romer Young Gallery. Her work has appeared in Art in America, Artnet, the Los Angeles Times, and Artweek.

Wednesday, September 21, 2011

Video Dumbo | Fil Rüting


Fil Rüting will be screening a 7 minute piece "Dreamtime" at DAC.
September 23-25th.
DUMBO ARTS CENTER (DAC)
111 FRONT STREET, STE. 212
BROOKLYN, NY 11201

video_dumbo is the annual festival of international contemporary video art. This year video_dumbo will be held on September 23-25th as part of the 2011 Dumbo Arts Festival. For the past seven years, video_dumbo has been an important exhibition platform for emerging filmmaker and media artists. In our continuing mission to exhibit rarely seen video art, we present a growing selection of international, thought-provoking works to our audience.
http://www.videodumbo.org/

Monday, September 12, 2011

Pamela Jorden | Romer Young Gallery



LOOKING THROUGH TREES
ROMER YOUNG GALLERY
1240 22nd Street
San Francisco, CA 94107
www.romeryounggallery.com

OPENING RECEPTION:
FRIDAY, SEPTEMBER 16, 6:00 -9:00PM

Romer Young Gallery is pleased to present its first solo exhibition with Los Angeles painter Pamela Jorden. Jorden is part of a new generation of painters whose work is at the forefront of an ongoing and unfolding conversation around the possibilities and potential of ‘abstraction.’

“The structure of light is geometrical compared to the structure of matter which is ‘organic.’ (Organic = Free-form) Both matter and space have ‘density.’ Light opens peep-hole tracks in the ‘density’ of space, because of the structure of light and allows us to ‘see.’” (1)

Pamela Jorden’s exhibition Looking Through Trees presents a new series of paintings, each one an invitation for a phenomenological experience of a painterly space defined by color, mark, composition and light. Jorden emphasizes that the world we experience is not solely figurative and our senses that interpret our surroundings do not operate in a solely rational manner. This perspective informs her paintings and challenges the compartmentalizing of abstraction. Resisting depiction in favor of slow suggestions, the works quietly allude to such things as the natural effects of changing light, the densities and geometries of urban landscapes, the haze of atmospheres and environments. The works balance a play between foreground and background, void and form, light and dark, hard and loose. Gradually assembled, the paintings are composed of fragments with varying optical densities and accumulations of shape, line, texture and pattern - each mark an isolated experience adding to the synthesis of the whole. The end results existing as “experiments in which color has weight and energy with the power to harmonize or disrupt.”

Pamela Jorden received her MFA from the California Institute of the Arts in 1996. She will have her fourth solo exhibition at Klaus von Nichtssagend Gallery in New York City, NY in 2011. Recent projects include solo exhibitions at David Patton Gallery, Los Angeles; the Mason Gross Gallery, Rutgers University, New Brunswick, NJ. Group exhibitions include "The Working Title", Bronx River Art Center, Bronx NY, "One Year Anniversary Show," "Swap Thing" and "Sun Zoom Spark," WPA, Los Angeles CA, “Some Abstraction Occurs”, 65 Grand, Chicago, IL (2008), “Themes and Variations”, Torrance Art Museum, Torrance, CA (2007), “Reality is An Activity of the Most August Imagination”, Rental Gallery in Chinatown, Los Angeles (2006), and “(keep feeling) Fascination: Recent Abstract Painting in Los Angeles”, Luckman Gallery, Cal State LA (2006).

For additional information, please contact the gallery at 415.550.7483 or email info@romeryounggallery.com. Romer Young Gallery is a San Francisco based contemporary art gallery committed to showing regional and international emerging and mid-career artists.

1. Lee Lozano, private notebook excerpts, August 18, 1969

Sunday, August 28, 2011

Fil Rüting | Opening WPA

Fil Rüting | AUSTRALIAN
September 3rd - October 2nd, 2011
Opening Friday, September 2nd, 8-10pm

WPA is pleased to announce "AUSTRALIAN",
a new Video Installation by Fil Rüting.

"AUSTRALIAN" consists of two video projections screened on opposing walls. As the title suggests, the work's focus is on the artist's homeland, exclusively sourcing its imagery and sound from the cinema of Australia. The video is the next installment of Rüting's ongoing process he refers to as "Tri Repetaé". "Tri" referring to the human ability to see three channels of color, trichromacy. "Repetaé" referring to meaning affirmed through repetition and context. Rüting uses cinematic sources, wrenching them from their linear format, cutting and shifting time, recomposing imagery in colorful ghost-like forms and figures moving through a stationary camera space. In "AUSTRALIAN", the tri repetaé form explores a compositional narrative focusing on the question of what the term "Australian" means.1

Themes explored in Rüting's video installation include primitive utopianism, colonialism, gender politics, transgression, the modern condition and spirituality. The artist has subtitled a few segments within the installation, "Nura (Country)", "White Fellas", "Petrol Heads", "Blokes and Sheilas", "The Big Smoke" and "Dreamtime".

The result is a thirty-minute drop into a psychedelic Down Under, filled with wonder, angst, hedonism, transformation and suspense. Sonically abrupt and mesmerizing "AUSTRALIAN" disarms the viewer into a bi-polar space, where iconography and narrative meet to create a poetic identity hidden within the cinematic condition of a unique modern nation.

Gallery hours:
Open 12-6pm, Saturday and Sunday or by appointment.

510 Bernard St, Los Angeles CA 90012

Monday, June 20, 2011

Terri Phillips | The Bloody Pond


Terri Phillips | The Bloody Pond
June 25-July 10, 2011
Opening Reception: Saturday June 25, 7pm-9pm

Gallery hours:
Open 12-6pm, Saturday or by appointment.

Saturday, April 16, 2011

Amy Sarkisian | Opening


Amy Sarkisian | American Gag
April 16 - May 14, 2011
Opening Reception: April 16th 6-9 pm

WPA is pleased to announce a solo exhibition of new work by Amy Sarkisian. Sarkisian's new sculptures present an iconic statement about the perverted, maligned and marginal in all of us.

This body of work is a combination of drawing and sculpture, which are my two default modes of working. I'm attracted to drawing because of its economy and it balances my sculptural practice, which tends to be more complex. American Gag has become an exercise to resolve my drawings while at the same time not abandoning my first love that is sculpture.

Amy Sarkisian lives and works in Los Angeles. She has had solo exhibitions at Atelier Cardenas Bellanger and Galerie Carlos Cardenas in Paris, Suzanne Vielmetter and Sister in Los Angeles, Marella Arte Contemporanea in Milan. This summer she will be included in an exhibition at Wolverhampton Art Gallery in England. Amy Sarkisian ran the project space, Studio 870, in the late 1990s and is the newest member of WPA.

Thursday, March 17, 2011

Pamela Jorden | The Working Title | Group Show NYC


The Working Title
On View from March 25 – April 29

A 32-artist group survey of recent abstraction organized by Progress Report Opening Reception: Friday, March 25, 6-9pm Temporary Gallery Location: 305 E 140th St #1A Bronx, NY 10454 Bronx River Art Center (BRAC) is pleased to present The Working Title, a 32-artist group survey of recent abstraction organized by Progress Report, opening on March 25, 2011. The exhibition, which runs until April 29, 2011, is the third in a series hosted in our temporary location, "On the Block", at 305 E 140 St. #1A, Bronx, NY, while we undergo a seven-million dollar renovation to our West Farms facility.

Artists featured: Amy Feldman, Benjamin King, Britton Tolliver, Cordy Ryman, Dennis Hollingsworth, Douglas Melini, EJ Hauser, Eric Freeman, Gary Petersen, Halsey Hathaway, Ian Pedigo, Inna Babaeva, Ivin Ballen, Jasmine Justice, JD Walsh, Jered Sprecher, Joshua Abelow, Joy Curtis, Keltie Ferris, Kris Chatterson, Lauren Luloff, Letha Wilson, Matthew Deleget, Omar Chacon, Osamu Kobayashi, Pamela Jorden, Patrick Brennan, Stacy Fisher, Tamara Zahaykevich, Tisch Abelow, Vince Contarino, Yadir Quintana

The name of the exhibition refers to the changing classification, description, or title that is given to abstraction. By nature, abstraction resists tradition and categorization transforming itself into a highly visual moving target. These artists employ abstraction as a means to investigate different approaches to materials, systems, media and content. Rather than following a pre-established doctrine of romantic sentimentality, most of the works elicit an air of experimentation, familiarity, and an overall sense of purpose.

The Working Title brings together different perspectives on abstraction in conversation with each other. Minimalism, post-modern, geometric, gestural, formal, color filed, video and process-driven works occupying the same room, creating unpredictable relationships through contrasting approaches.

Having direct access to technology has become an important tool for artists to share and discuss their practice, making connections on a regional and global level. The collective stance and attitudes on making art are less defensive than they used to be, opening up conversations with the past by seeking out and elaborating on previous approaches that may have been marginalized or forgotten.

The Working Title is less about seizing the moment, but more of a selection of current voices that use abstraction as a starting point to create work that expands the trajectory of what is possible.

This exhibition was organized by Progress Report, a visually-driven project that offers a glimpse of the creative process that share various perspectives from the working artist’s point of view.

Wednesday, March 16, 2011

Henry Taylor | Opening @ Blum and Poe



Blum & Poe is very pleased to present its first solo exhibition of paintings and sculpture by Los Angeles-based artist Henry Taylor.

In Henry Taylor's work, the line between art and life is often indistinguishable: freely commingling intensely personal figurative paintings with totemic assemblage sculpture. Taylor has developed a unique visual dialect wedded to the downtown - Los Angeles community he calls home, addressing his subjects with the ease of an insider and the hand of an outsider. Taylor's nuanced portraits shed a sentimental light on near and dear friends, family members, lovers and heroes, both dead and alive, real and imagined. They are non-hierarchical, generous and democratic likenesses of the people most central to his life and thought, with equal emphasis placed on a portrait of his niece and nephew in relaxed pose or larger than life statuesque representations of Serena Williams or Jackie Robinson. An acute documentarian of his community, Taylor fits squarely into the lineage of painter as social observer, channeling amongst others, Alice Neel, Toulouse Lautrec and John Singer Sargent.

Taylor's paintings and sculptures are often constructed in a frenetic manner with partial gestures, half-phrases or incomplete figures painted on surfaces as varied as cigarette packs, cereal and beer boxes or suitcases. These objects, prior to Taylor's intervention, were left for dead on street corners and in dumpsters, but when salvaged by the artist, become fair game, to be used as integrated components in sculptures or as alternative surfaces to stretched canvas for painting. Most recently Taylor has begun collecting emptied Clorox bleach bottles, which when spray painted black and inverted on broomsticks take the form of African tribal masks or dancing statues. Propped on constructed bases of plywood and held together by whatever means necessary, these figures come to life, defined both by their unique handmade construction and shabby materiality. They exist as accumulations of found objects intimately linked to their surroundings, repurposed and breathed with life by their maker.

Taylor's vernacular is the street. His studio practice is deeply informed by its sights and sounds, and most notably by its people; those who move freely between Taylor's life and studio, often only long enough to have their portrait painted once. These personalities, along with the historical figures who find their way into Taylor's work, are rendered with a dignity and soul, befitting their place within Taylor's world.

Henry Taylor (b. 1958, Oxnard, CA) has been honored with solo museum exhibitions at The Studio Museum in Harlem, NY, 2007, the Santa Monica Art Museum, Santa Monica, CA, 2008 and will be included in the forthcoming exhibition, Human Nature: Contemporary art from the Collection, Los Angeles County Museum of Art, Los Angeles, CA. Taylor has been included in group exhibitions at the Rubell Family Collection, Miami, FL, MOCA North Miami, Miami FL, Peres Projects, Berlin, Jack Hanley Gallery, Los Angeles, CA and Milliken Gallery, Sweden. Henry Taylor received his Bachelor of Fine Arts degree from California Institute of the Arts and lives and works in downtown Los Angeles.

Blum & Poe | 2727 S La Cienega Blvd. | Los Angeles | CA | 90034

Monday, March 7, 2011

Ryan Tomcho | Linger


Ryan Tomcho | Linger
March 12 - April 9
Opening Reception Saturday, March 12th 7-9pm

Press Release

Ryan Tomcho's lush canvasses approach painting through nontraditional means. Pigment here is encapsulated in resin and applied by a machine. The trace of the hand is taken hostage by imposter brush marks which weren't created in the physical sense. They only exist as artificial imitations applied as a very thin layer of pigment. The surface is treated as if it were a space where events float in, and not as a crust with material density. These events are moments where one edge, illusion, color, structure, and imposter mark interacts with another in a way which activates sensory experience. Space is stretched and manipulated to expand possibilities of a pictorial experience which is not tethered by a unified whole. One could even say they're a space of fantasy. Each, fortunately, can look quite unlike another, though repetition is not necessarily excluded.
Sure, these were produced with a technological apparatus, but that doesn't mean they're limited to a discourse on technology and its modes of production. How it's made is ideally not as important as what it's doing, which is to say the engagement exceeds the means of production.

Saturday, February 12, 2011

Javier Tapia | Opening


Javier Tapia | Angst Journey, Where's the Dead Man's Chest
February 13 - March 6
Opening Reception February 12th, 7pm

Press Release

The latest project of the Chilean artist Javier Tapia, with the title: Angst Journey, Where's the Dead Man's Chest, will be presented at WPA in China Town, Los Angeles.
The show, opening on Feb. 12th at 19 o'clock, is scheduled to last until March 6th of 2011.

In this project Javier Tapia will present an all over installation who aims to create a metaphorical space, commenting in aspects of the human condition and its struggles of ambition, weather they are mental or physical. In order to build up this work, Javier Tapia is using mixed narrations; the first one is a direct reference to mountain climbing, more specifically, the climbing of mount Aconcagua, located in Chile, combined with the legend of El Dorado, used by aborigines in the Americas by the time the Conquerors of the New World arrived back in 1492.

The installation is combining mixed elements of theatrical scenography with aspects of scale model making, all together with sounds and light effects. The work invites the viewer to enter a pseudo monument, or a reference to a museum of natural history, where a sort of an ambiguous drama is being remembered and portrayed.

Javier Tapia was born in Santiago, Chile in 1972, and has been living in Europe since 1999. His education in Fine Arts has taken him to the Faculty of Fine Arts of the University of Barcelona between 1999 and 2001 and to a 6 years MFA program at the Royal Academy of Fine Arts between 2004 and 2010. In 2009 he was invited by UCLA to follow the program lead by Prof. Mary Kelly (US), where he had the chance to open his work to the artistic community of Los Angeles.

The exhibition is an initiative of the board members of WPA and is sponsored by the Danish Arts Council.

Gallery hours:
Open 12-6pm, Friday - Saturday or by appointment.

Thursday, January 6, 2011

Charles Irvin | Opening

Charles Irvin | Ride the Fantasy
January 8 - February 5
Opening Reception Saturday, January 8th 7-10pm

Come with me take my hand we will see
Right here now is a place that is free
What you feel to be real is your right
Happiness is hidden in plain sight

Ride the Fantasy is Irvin's second show at WPA and features recent paintings and prints.

The message is mystical, the medium is physical.
Stuff of the earth, depict signs of the birth
of the Aquarian Age.

Gallery hours:
Open 12-6pm, Friday - Saturday or by appointment.

Saturday, December 11, 2010

Monday, November 15, 2010

Rachael Neubauer | Standard Deviation



Rachael Neubauer is part of a group show opening November 18th, 5-8 at the Pacific Design Center.

Standard Deviation
Curated by Jenny Le and Janet Levy November 18, 2010 – January 7, 2011 Opening reception: Thursday, November 18, 5-8pm

See Line Gallery presents a group exhibition, Standard Deviation, curated by Jenny Le and Janet Levy , including works by Alex Artigas , Reggie Casagrande, Taska Cleveland, Sam Combellick, Zoe Crosher, Sean Daly, Jen DeNike, Christopher Haun, Patrick Holeck, Seth Kaufman, Karen Lofgren, Sean Brian McDonald, Lesley Moon, Rachael Neubauer, Brooks Salzwedel, Natascha Snellman, Andre Vippolis, Jason Yates. Including sculpture, installation, photography, works on paper.
Standard Deviation: to shift, split away from the norm, average. the two idiosyncratic worlds of Jenny Le and Janet Levy merge within the realm of the exhibition "Standard Deviation." Departure from the norm and escape from the expectation of models regarded as the common value, the works selected showcase a collective that reaches away from any typical curation formula. This exhibition assembles established artists alongside fashion designers, photographers, directors, and architects. Offering the viewer an opportunity to look at a variety of distinctive works interacting together rather than formulating standards in which the works should derive.

See Line Gallery hours Monday - Friday 11am-5pm and by appointment. info@seelinegallery.com for further information regarding the exhibition please contact Janet Levy cell 917 604 3114

Tuesday, November 2, 2010

Tyler Vlahovich | Opening

Tyler Vlahovich | I Drank the Kool Aid
WPA.
November 5 - December 4
Opening Reception Saturday, Nov 6th, 6-9pm

"My work is an expression of certainty and ambiguity. I mean to link these interests in a practical and accessible way.

My approach is to set in motion a certain kind of tension through the seduction of abundance, inquiry and discovery. I start with the rudiments of composition - volumes, values, lines and their variants - and methodically build toward excess. My aim is to have these straightforward elements spar with the spatial ambiguities they propagate; and, because the repetition and variation of these elements is plain, it quickly becomes a game of how I can relate or cluster them. Somehow a rapport emerges that slows the read of the overall image while leveling a richly charged field to study. The resulting image is intended to be compelling by means of its uncomfortable vagueness. I use contour line as a means to plainly articulate form and space while hinting at figuration. Often the clarity of the line is bent toward misinterpretation. Figuration steps in to maintain a point of reference. Contour lines also suggest a great deal with extreme economy and can easily slip or flash between two and three-dimensional representation. I like how this flux can delay a quick appraisal. And, as the title of the show suggests, I’ve not only embraced the promising/worrisome paradox of clarity but the attraction has become a calling."
- Tyler Vlahovich

Gallery hours:
Open 12-6pm, Friday - Saturday or by appointment.

Tuesday, September 28, 2010

Henry Taylor | Opening


Henry Taylor | Couch Paintings
September 30 - October 23
Opening Reception | Thursday September 30th 7-10pm.

WPA is proud to present a new exhibition from Henry Taylor,
Couch Paintings.

Gallery hours:
Open 12-6pm, Thursday - Saturday or by appointment.